By Rolf Aamot
Published by Bergen Artmuseum 1998
Electromagnetic energy shapes the colour/photone and curvilineartone span of
tonal image art. The laserpower radiance of atoms.
The imagetone quantumsystem turns everything into sinewy relations
– signalling movement to all our cells.
The body builds its world by psychophysiological images.
We exist, and exist in, the infinity of perception – matter, identity, intensity, rhythm, and the logic of the cells of our bodies – opening towards the heterogeneous,
the void and the exile. The tones of images are, like tones of sound, a unity of dream and act.
The information value of imagetones are determined by their frequencies, span,
coherence, pulseform, modulation and polarization. The directionality pulse of
particlewaves are sinusoidal. We read: Energy into matter – matter into energy.
Laser have organisational capability – handling or regenerating information.
Lasercolour/photone and curvilineartone art, the body, visual dramaturgy and
unmediated experience opens up an artistic cosmos. The monologue, the dialogue
and the dialectic are spaceships passing through the boundlessness of
Boredom/Death. We seek maximal information per timeunit. Between openness
and the setting of bounds. In recognisanze of ecperienceunits we shape our
strategies of survival by seeing. I am seeing, therefore I am.
Between form/chaos and chaos/form we seek relations, freedom, connections, will and resolve.
Everything else have no bearing on the tonal image drama of laserpainting.
The internal relations of image tones enclosed by the drama of painting.
The drama: Colour/photone and curvilineartone dialogue.
The being of tonal
image art builds upon DIALOGUE. MONOLOGUE and DIALECTICS have DIALOGUE as its Driver/Enforcer. Colour/photone and curvilinear DIALOGUE passes by eye to brain by different routes, visual and nonvisual.
Nonvisual impulses run into diverse hormonal and nervous centers, affecting the subject physiologically and psychologically. The intensity, spectral image, shimmering, and their distribution in space, by the axis of time, stimulates the activity of heart and brain. We seek, and are in – ECSTASY. Irrational and immediate manifestation of energy and intensity of life. Opening for COMMUNITY by seeing. Community without binding. In us we have the hope of THE GRAND GESTURE. The totality connecting it all. A gesture giving GOOD CONTINUITY.
Momentous details shimmering under it all. We reach for – ECSTASY. Ecstasy – psychophysiological sight – physiological waves – organic swing and counterswings.
Where discontinuity and continuity becomes one.
TOTALITY outside TIME.
Conflict are violation of i-values – identity and intensity.
Our answer in powerlessness: AGGRESSION/DEPRESSION.
Extremes of heart activity – high and low pulse. Contextless “Climaxes”. Time/movement
MONOLOGUE on the run.
Our options are: Confrontation or communication: DIALOGUE
– or identification/rupture: MONOLOGUE.
Field of tension; tonal image art versus visual violence.
DIALOGUE is our answer to MONOLOGUE/RUPTURE KEEPING us entertained.
Dialogue approaches thruth. The i-values of dialogue expresses themselves
through the PRIMARY being of laserimagetones: the vertical and horisontal span
of colour/photone frequencies – spanning the amplitudal dynamics of light –
passing through the curvilineartonespan and directionality dynamics of line
– in swing and counterswings between SPACE/BEING and TIME/MOVEMENT.
Tone, timbre, cluster, noise, white noise, gesture and tonal image metaphores
turns witnessing/violation into sight/insight. Revelations requires actions. Earth
become the standpoint of heaven – spanned by the rainbow.
Will of life becoming body. Ideas becoming visible. Matter and spirit.
Tonal images leave traces. Colours are the SPACE of fertility.
LINES are the the time of death. Energy/space and death/time.
For the seeing all colours are everywhere. Colours and love are one.
The skin of imagetones. Colours cannot be forced by the glance – LOCKINGPOINTS arrest the eye.
Captivated attentiveness follows line/time/movement.
Time/movement, lockingpoint, RUPTURE, directs us out of every organic community. The tension: Love verus power. THE GRAND GESTURE, becomes loveless discontinuity when forced.
See, not seeing, in itself a factor of violence, where the enforced becomes visible
without being revealed. The arresting glare kills. Earth ceases to be the standpoint
of heaven – no longer spanned by the rainbow. The understanding of daily
life is emptied – left off without relations – waiting for the catastrophe – captured.
We see and become blind.
The seeing are omnipresent in space – colour, body, and SPACE metaphore.
Seeing, not see, in itself a factor of love, colourfrequencies becoming an art of
colourtones. A psychophysiological PLAY for eye and mind.
Organized energy in action. Characterized by growth, adaptation, growing complexity, developing forms, diversity, organization, unambigousness, emergence, holism, unpredictability, openness, coordination and disequilibrium, development and teleology.
Imagetones pass through our threshold of perception – perception versus overload.
Tonal laserimages touch upon the physiochemical quantumprocesses of the brain
– undeterminable and undeterministic on principle, impossible to foresee
from one moment to the next – how a quantum system will change.
Imagetones have creative powers – capable of bringing forth a growing
diversity of complex forms and structures. Psychophysiological tonalimage
art have “free will”, allowing the potential of ever new creation.
The selforganizing processes are not fixed through blind selection of conditions
at the outset, but are – on their part – potentially selfdeterminative.
We are facing two psychophysiological languages of vision: SPACE and TIME.
BEING versus MOVEMENT.
All structures consist in diverse arrangements of colour/photones and
curvilineartones, every change made by rearrangement among tones.
All of it being a question – of activity, organization and complexity.
The tonal art of images are conjoined with the body – intelligence of the body.
The voice of nature. Man superceding his associative abilities in crossing solitudes.
Tones put their mark on our being and our actions. Visual constellations are:
The seen, and the seen in the unseen. Tonal languages are universal
- with a concrete and unmediated energy. Embracing with force and intensity.
All of it coming from and turning back upon the gift of giving and taking imagetones.
We are making seen the unseen. Visual action, modulation and rhythm
fluctuate between gestalt and dissolution.
Any imagetone have the ability of activating numerous subconscious processes
of our understanding, and as such expresses the real with a precision unreachable
by methodical logic. Combinations, signals and tensing pressure between
secondary tonal expressions are seedcarriers of imagetone art.
The significance of one tone, gliding past the twilight of our conciousness, becoming seen, can give substantial contributions to the contents of the totality of meanings.
In recognizance of imagetones our body think and create. In the psychophysiological
space of art our inner and outer space exist.
In the artwork time is our time. Imagetones are in us. Our brain modulates
the imagetone modulations. The rhythms are the rhythm of our own – vision
and body. All is vision – not visibility. We are in the space of the body
– colour/photone and curvilineartone space. In the space of the body,
and colour/photone and curvilineartone space we act in space.
Universe of the universe.
Electromagnetic imagetone communication are the cultivation of lifeintensities
and the visual dramaturgy of this cultivation – from our common view.
Our only way to communion. Primary strategy of survival.
Hope – all power to imagetone art – love. Our seeing gift of love in space.
In contra: lineartone art
- flight into the arresting lockingpoints of the glance
- fixation/visual violence
- forcing out of space
In the axis of time every one of us are singular. Turning towards GREAT SPACE.
All coming from and turning back upon electromagnetic energy.
Published by Bergen Artmuseum 1998
Electromagnetic energy shapes the colour/photone and curvilineartone span of
tonal image art. The laserpower radiance of atoms.
The imagetone quantumsystem turns everything into sinewy relations
– signalling movement to all our cells.
The body builds its world by psychophysiological images.
We exist, and exist in, the infinity of perception – matter, identity, intensity, rhythm, and the logic of the cells of our bodies – opening towards the heterogeneous,
the void and the exile. The tones of images are, like tones of sound, a unity of dream and act.
The information value of imagetones are determined by their frequencies, span,
coherence, pulseform, modulation and polarization. The directionality pulse of
particlewaves are sinusoidal. We read: Energy into matter – matter into energy.
Laser have organisational capability – handling or regenerating information.
Lasercolour/photone and curvilineartone art, the body, visual dramaturgy and
unmediated experience opens up an artistic cosmos. The monologue, the dialogue
and the dialectic are spaceships passing through the boundlessness of
Boredom/Death. We seek maximal information per timeunit. Between openness
and the setting of bounds. In recognisanze of ecperienceunits we shape our
strategies of survival by seeing. I am seeing, therefore I am.
Between form/chaos and chaos/form we seek relations, freedom, connections, will and resolve.
Everything else have no bearing on the tonal image drama of laserpainting.
The internal relations of image tones enclosed by the drama of painting.
The drama: Colour/photone and curvilineartone dialogue.
The being of tonal
image art builds upon DIALOGUE. MONOLOGUE and DIALECTICS have DIALOGUE as its Driver/Enforcer. Colour/photone and curvilinear DIALOGUE passes by eye to brain by different routes, visual and nonvisual.
Nonvisual impulses run into diverse hormonal and nervous centers, affecting the subject physiologically and psychologically. The intensity, spectral image, shimmering, and their distribution in space, by the axis of time, stimulates the activity of heart and brain. We seek, and are in – ECSTASY. Irrational and immediate manifestation of energy and intensity of life. Opening for COMMUNITY by seeing. Community without binding. In us we have the hope of THE GRAND GESTURE. The totality connecting it all. A gesture giving GOOD CONTINUITY.
Momentous details shimmering under it all. We reach for – ECSTASY. Ecstasy – psychophysiological sight – physiological waves – organic swing and counterswings.
Where discontinuity and continuity becomes one.
TOTALITY outside TIME.
Conflict are violation of i-values – identity and intensity.
Our answer in powerlessness: AGGRESSION/DEPRESSION.
Extremes of heart activity – high and low pulse. Contextless “Climaxes”. Time/movement
MONOLOGUE on the run.
Our options are: Confrontation or communication: DIALOGUE
– or identification/rupture: MONOLOGUE.
Field of tension; tonal image art versus visual violence.
DIALOGUE is our answer to MONOLOGUE/RUPTURE KEEPING us entertained.
Dialogue approaches thruth. The i-values of dialogue expresses themselves
through the PRIMARY being of laserimagetones: the vertical and horisontal span
of colour/photone frequencies – spanning the amplitudal dynamics of light –
passing through the curvilineartonespan and directionality dynamics of line
– in swing and counterswings between SPACE/BEING and TIME/MOVEMENT.
Tone, timbre, cluster, noise, white noise, gesture and tonal image metaphores
turns witnessing/violation into sight/insight. Revelations requires actions. Earth
become the standpoint of heaven – spanned by the rainbow.
Will of life becoming body. Ideas becoming visible. Matter and spirit.
Tonal images leave traces. Colours are the SPACE of fertility.
LINES are the the time of death. Energy/space and death/time.
For the seeing all colours are everywhere. Colours and love are one.
The skin of imagetones. Colours cannot be forced by the glance – LOCKINGPOINTS arrest the eye.
Captivated attentiveness follows line/time/movement.
Time/movement, lockingpoint, RUPTURE, directs us out of every organic community. The tension: Love verus power. THE GRAND GESTURE, becomes loveless discontinuity when forced.
See, not seeing, in itself a factor of violence, where the enforced becomes visible
without being revealed. The arresting glare kills. Earth ceases to be the standpoint
of heaven – no longer spanned by the rainbow. The understanding of daily
life is emptied – left off without relations – waiting for the catastrophe – captured.
We see and become blind.
The seeing are omnipresent in space – colour, body, and SPACE metaphore.
Seeing, not see, in itself a factor of love, colourfrequencies becoming an art of
colourtones. A psychophysiological PLAY for eye and mind.
Organized energy in action. Characterized by growth, adaptation, growing complexity, developing forms, diversity, organization, unambigousness, emergence, holism, unpredictability, openness, coordination and disequilibrium, development and teleology.
Imagetones pass through our threshold of perception – perception versus overload.
Tonal laserimages touch upon the physiochemical quantumprocesses of the brain
– undeterminable and undeterministic on principle, impossible to foresee
from one moment to the next – how a quantum system will change.
Imagetones have creative powers – capable of bringing forth a growing
diversity of complex forms and structures. Psychophysiological tonalimage
art have “free will”, allowing the potential of ever new creation.
The selforganizing processes are not fixed through blind selection of conditions
at the outset, but are – on their part – potentially selfdeterminative.
We are facing two psychophysiological languages of vision: SPACE and TIME.
BEING versus MOVEMENT.
All structures consist in diverse arrangements of colour/photones and
curvilineartones, every change made by rearrangement among tones.
All of it being a question – of activity, organization and complexity.
The tonal art of images are conjoined with the body – intelligence of the body.
The voice of nature. Man superceding his associative abilities in crossing solitudes.
Tones put their mark on our being and our actions. Visual constellations are:
The seen, and the seen in the unseen. Tonal languages are universal
- with a concrete and unmediated energy. Embracing with force and intensity.
All of it coming from and turning back upon the gift of giving and taking imagetones.
We are making seen the unseen. Visual action, modulation and rhythm
fluctuate between gestalt and dissolution.
Any imagetone have the ability of activating numerous subconscious processes
of our understanding, and as such expresses the real with a precision unreachable
by methodical logic. Combinations, signals and tensing pressure between
secondary tonal expressions are seedcarriers of imagetone art.
The significance of one tone, gliding past the twilight of our conciousness, becoming seen, can give substantial contributions to the contents of the totality of meanings.
In recognizance of imagetones our body think and create. In the psychophysiological
space of art our inner and outer space exist.
In the artwork time is our time. Imagetones are in us. Our brain modulates
the imagetone modulations. The rhythms are the rhythm of our own – vision
and body. All is vision – not visibility. We are in the space of the body
– colour/photone and curvilineartone space. In the space of the body,
and colour/photone and curvilineartone space we act in space.
Universe of the universe.
Electromagnetic imagetone communication are the cultivation of lifeintensities
and the visual dramaturgy of this cultivation – from our common view.
Our only way to communion. Primary strategy of survival.
Hope – all power to imagetone art – love. Our seeing gift of love in space.
In contra: lineartone art
- flight into the arresting lockingpoints of the glance
- fixation/visual violence
- forcing out of space
In the axis of time every one of us are singular. Turning towards GREAT SPACE.
All coming from and turning back upon electromagnetic energy.